Focusing on twentieth-century documentary photography, this exhibition includes Aaron Siskind’s Harlem Document, a vibrant portrayal of 1930s Harlem culture and society; Robert Frank's pivotal series, The Americans, a piercing look beneath the surface of 1950s American life; Bruce Davidson’s Brooklyn Gang, a moving portrait of postwar inner-city youth culture; William Christenberry’s Alabama Pictures, an intimate chronicle of the effects of time’s passage on the artist’s beloved South; Bill Owens’ Suburbia, an alternately humorous, poignant, and devastating view of 1970s America and the middle class migration to the suburbs; and William Eggleston’s portfolio 14 Pictures, a collection of the artist’s characteristically understated images in which the everyday is imbued with beauty and mystery.
Thursday, January 31, 2013
Frame by Frame: Photographic Series and Portfolios
An exhibition at the Addison Gallery at Phillips Academy, Andover, MA. Feb. 2 - April 14, 2013.
Focusing on twentieth-century documentary photography, this exhibition includes Aaron Siskind’s Harlem Document, a vibrant portrayal of 1930s Harlem culture and society; Robert Frank's pivotal series, The Americans, a piercing look beneath the surface of 1950s American life; Bruce Davidson’s Brooklyn Gang, a moving portrait of postwar inner-city youth culture; William Christenberry’s Alabama Pictures, an intimate chronicle of the effects of time’s passage on the artist’s beloved South; Bill Owens’ Suburbia, an alternately humorous, poignant, and devastating view of 1970s America and the middle class migration to the suburbs; and William Eggleston’s portfolio 14 Pictures, a collection of the artist’s characteristically understated images in which the everyday is imbued with beauty and mystery.
Focusing on twentieth-century documentary photography, this exhibition includes Aaron Siskind’s Harlem Document, a vibrant portrayal of 1930s Harlem culture and society; Robert Frank's pivotal series, The Americans, a piercing look beneath the surface of 1950s American life; Bruce Davidson’s Brooklyn Gang, a moving portrait of postwar inner-city youth culture; William Christenberry’s Alabama Pictures, an intimate chronicle of the effects of time’s passage on the artist’s beloved South; Bill Owens’ Suburbia, an alternately humorous, poignant, and devastating view of 1970s America and the middle class migration to the suburbs; and William Eggleston’s portfolio 14 Pictures, a collection of the artist’s characteristically understated images in which the everyday is imbued with beauty and mystery.
Monday, January 14, 2013
Sunday, December 30, 2012
Saturday, December 29, 2012
Thursday, December 13, 2012
Monday, December 10, 2012
Thursday, December 6, 2012
The photo wars back then (2005-ish until now)
Ever contemplated the demise of the film era? It might have already happened.
The photo wars back then | Marketplace.org
Robert Burley's book: The Disappearance of Darkness: Photography at the End of the Analog Era
The photo wars back then | Marketplace.org
Robert Burley's book: The Disappearance of Darkness: Photography at the End of the Analog Era
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