Wednesday, September 18, 2013
Friday, July 26, 2013
The current state of digital photo printing.
Interesting article on the current options available for printing photographs.
Dig platinum printing? Dig this:
Dig platinum printing? Dig this:
Saturday, July 20, 2013
Can photojournalism survive in the Instagram era?
Nice interview with Fred Ritchin, discussing his new book, Bending the Frame (which I recommend, btw).
OUCH!: "In recent years the tendency has been to elevate the messenger over the message, a strategy which effectively keeps their more painful imagery at a distance. The courage of the photographer is celebrated while the circumstances of his or her subjects becomes somewhat secondary. As a result the photograph becomes less of a window onto the world and more of a mirror reflecting the distorted priorities of the culture consuming the imagery."
OUCH!: "In recent years the tendency has been to elevate the messenger over the message, a strategy which effectively keeps their more painful imagery at a distance. The courage of the photographer is celebrated while the circumstances of his or her subjects becomes somewhat secondary. As a result the photograph becomes less of a window onto the world and more of a mirror reflecting the distorted priorities of the culture consuming the imagery."
Wednesday, July 17, 2013
Monday, June 3, 2013
The dying art of darkroom printing
Read this blog post about Magnum darkroom printer, Pablo Inirio, and you'll long for the smell of stop bath and fixer . . .
Tuesday, May 28, 2013
Gregory Halpern on Documentary Ethics
ASX Interview with Gregory Halpern - "On Documentary Ethics" (2013)
"Photography is a highly edited, subjective vision of the world, but the medium presents itself—and is often misused by photographers—as a form of objectivity. There is, of course, no way to make objective documentary work, and any attempt to do so is flawed, misleading and disingenuous."
"Photography is a highly edited, subjective vision of the world, but the medium presents itself—and is often misused by photographers—as a form of objectivity. There is, of course, no way to make objective documentary work, and any attempt to do so is flawed, misleading and disingenuous."
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